Haŋblečeya is a song I wrote when I should have been studying for my chemistry finals. It was fueled by copious amounts of alcohol when I was not in school to cope with the demands of my University’s chemistry department, which were not geared towards “non-traditional” students holding down a full-time job, already past his 20-somethings, had an internship with a crime lab, and trying to just get by financially.
I had picked up one of the early DAWs that wasn’t too demanding on PCs (Cakewalk made my middling laptop melt and FrootyLoops was still an Apple thing). Sony had put out a DAW called Acid that was more for loop artists than it was for recording (it was always a challenge to get it to record anything live without… you guessed it… melting the laptop). But it was portable and I would sit in the University library with my headset and pretend to be studying for chemistry finals when I was really doing things to samples and loops than hadn’t really been intended to be done in Acid. The tools were there, but there was no instruction on how to use them in the way that I used them (they were tools intended for the live recordings, not for the loops). So, I turned loops into a makeshift virtual instrument by slicing and dicing individual notes out of sample sequences and pitch-adjusting them to be in key, as well as changing the order of notes in the samples to get the desired effect. And I’d steal from samples all over the place to fill in the sound. I don’t think anything unadultered would be recognizable as a song anyone would know (it’s hazy 16 years later), but it is possible that I stole notes here and there. The vocals are a combination of publicly available chants in a number of traditions (call to prayers and drum dancing at pow wows, mostly). I couldn’t source them to save my life now, so forgive me.
Anyway, I think I sold a whole 5 copies of the CD back in the day. It’s past time to assume no other sales will be forthcoming.