fell barrows and hallows
flicker fallow window sill
salt-speckled hide deep
clawing foul flesh to
find what hides inside
once a'larkin
now song-trapped
anam a-netted
pretty fool screaming
screaming
old scratch has his due
gloam laughing
echoes, the moon
I don’t know, whenever the weather turns more chill and people start exchanging season’s greetings, my mind goes back to when I was larking about with the Irish music scene here in town and one of the more popular songs to play once the frost started sticking around after the sun comes up is the Pogues’ Fairytale of New York.
It was Christmas Eve babe In the drunk tank An old man said to me, won’t see another one And then he sang a song The Rare Old Mountain Dew I turned my face away And dreamed about you
Another mixed bag of older ones. I promise — no black licorice… mostly. On the other hand, there might be a few pieces of anisette-flavored chips in there. Sorry.
slipstream shift slideways
mistward… shadow-walk
hollow hills, hidden beaches
her hand in mine
rust red rose
transpose, turndown
languishing lush lips listing
side to
side to
side to
- - stut-tut-tut-ter
shadow and memory splintered in her head and tin soldiers tattooed marching over a rocky ledge
For a while, I was having this nagging sensation in the back of my head and I recently realized my subconscious brain was trying to tell me that understanding tarot cards, least in a generalized sense, for the purpose of writing a story. I have a story that has seem multiple iterations over the past twenty-plus years, none of which have ever met my satisfaction. I see these internal grumblings something to listen to because, while almost everyone I’ve ever met is surely smarter than I am on the conscious level, by subconscious is pretty savvy more often than not.
Posts with the “Tarot” flag in the title will be truncated after this paragraph so that you can quickly scroll past them in your feeds unless you are interested. I should point out that I am skeptical of tarot as a divination tool (as far as predictive divination goes), but I see them as having potentially high value as a tool for self-analysis on the archetypal/Jungian level. I have no interest in doing readings for others at this time, but I do welcome second opinions, should you wish to share them. And with that…
Regular readers know I don’t usually post frivolities (unless they are my own), but I thought linking to a place where you can email a message to be added to the dumpster fire of 2020 might be cathartic. So here you go.
don't tell me about
piano bench wars --
i only want to watch for bananafish
on trial
each day, judgement
without accusations
just
razor eyes averted
and myriad cuts
each deeper than the
last
the rain is my lover
this night --
kisses wet on my face
Here are a handful of older poems. I’ll toss up some of these recent “older” poems over the next few days. Most were written within the past two years, give or take a few months. I didn’t retain dates, which is okay, IMHO.
The first and last of the three are done in what I call the Jon Muth style of haiku. It isn’t really haiku, but attempts to capture haiku’s feel without worrying overmuch about counting syllables. In the past, I found that the 5/7/5 pattern took away from the ziran or tathātā nature of haiku and so I developed a preference for the Muth’s style as found in Hi Koo! [see below image for Muth’s own explanation].
I’m going to be all silly and geek out a bit, but it’s been several months since the last issue of what is my currently favorite comic/graphic novel, Monstress and now a digital copy of the new issue showed up in my account last night. I have only really liked a few graphic novels to come out since the demise of Sandman, but Monstress is one of those that is perhaps my favorite since that time (which Locke and Key a close second).
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